I make semi-soft wall sculptures using fabric, paint, and wood. Working in parts or chunks, I sew together multiple pieces of fabric by machine and by hand, stuff them with synthetic filling so they become pillow-like forms, and sometimes stretch and staple them onto wood panels. I often digitally print my own fabric alongside store-bought textiles. The process is tactile and draws from quilt construction.

Visually, the works reference sports courts, running tracks, and other geometric systems that organize bodies through rules and measurement. I’m interested in sports as conceptual frameworks, and in the tension blurring seriousness and play that games provoke and or frame. The soft, disarming surfaces meet rigid geometry, opening a space to consider how structures shape experiences.